黃進龍Huang, Jin-Long黃文祥Huang, Wen-Hsiang2020-12-102017-08-302020-12-102017http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0698600278%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114720摘要 筆者以存錢筒撲滿這個載體為繪畫創作對象，探討儲蓄的動機，人類的慾 望，與夢想的實現。 慾望與能力，人類的慾望來自於生活當中的食衣住行育樂，當能力無法滿足這些慾望的時候，會藉由儲蓄的行為，累積自己的財富，以達到滿足這些慾望，在儲蓄的過程中想像自己的夢想，期待完成夢想的那天到來。 「夢想是人們基于現實而又超越現實的對未來美好願景的構建和希望.一方面, 夢想與現實存在著某種張力狀態,主要表現在:夢想是人對客觀現實的不滿,夢想，是人指向未來美好的希望,夢想是人的思維對現實的完美想像」 本論文架構分為六個章節，摘要如下： 第一章為「緒論」，說明本創作研究的動機及目的在敘述研究方法及範圍。 本創作研究主要以慾望以及夢想兩者來做為主要的創作架構，以筆者的生活環境為出發點，探討儲蓄對筆者繪畫創作的影響，以及筆者將如何用繪畫創作詮釋慾 望與夢想 。 第二章為「創作理論基礎」，研究慾望的產生及儲蓄的行為意涵。 第三章為「創作思想」，分析作品表面之下要傳達的理念。探討儲蓄對筆者 的影響，與筆者思考創作的方式。 第四章為「儲夢計畫系列創作內容、方法、技法與媒材」，以整個系列創 作的角度說明作品中包含的內容、元素，以及筆者如何使用媒材及技法來將意念轉化為創作。 第五章為「作品解說」，分析筆者儲夢計畫系列之作品理念，共16件作品。 第六章為「結論」，該章將筆者創作之研究成果做一總結及心得，並期望在 將來能有更為精進的突破與表現。 關鍵字：儲蓄、夢想、慾望、Abstract The author aims to explore the motive of saving, human desire, and the realization of dreams using coin bank/piggy banks as the theme of painting. Desires of human beings originate from the need for food, clothing, accommodation, transportation, education and recreation. If we are unable to meet those needs, we will accumulate wealth to satisfy the desire. We save money and imagine the day when our dreams come true. Dreams are the blueprints and rays of hope that human beings construct based on and beyond reality. However, tension exists between dreams and reality. There are three kinds of expressions that dreams may deliver from human beings which are the dissatisfaction of reality, the hope for a splendid future and the perfect imagination of human’s thoughts on reality. The present study is divided into six chapters. The keynotes are as follows. The first chapter, Introduction, is discussed on the basis of the motive and purpose of the study, which is followed by the research method and research scope. The author attempts to investigate the framework of his paintings in terms of desire and dreams. Grounded on his living environments, the author also explores how his works are influenced by saving and how he depicts desire and dreams through paintings. The second chapter, Theoretical Framework, is to look into the origin of desire and the implication of saving. The third chapter, Concept of Creation, focuses on the analysis of the author’s thinking towards saving and the non-literal ideas in his paintings. Chapter four emphasizes the content, methods, skills and materials of the Dream-Saving series, which explains the content and elements and how the author turns his ideas into creation using the materials and skills. Chapter five is the interpretation of the works. A total of 16 pieces of art works are created as a series of Dream-Saving. Chapter six concludes with the results and shows the author’s anticipation of more breaking-through performances. keywords: savings, dream, desire儲蓄夢想慾望savingsdreamdesire