陳登武Chen, Den-Wu邱馨慧Chiu, Hsin-Hui2025-12-092025-02-172025https://etds.lib.ntnu.edu.tw/thesis/detail/0366a62af0ca7f4cbd352cdfeb25f5d9/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/125021本研究以電影《柳如是》、《柳如是別傳》和晚年陳寅恪三者為研究對象，進而開展發論，擬從三面向著手，分別為影視文本與文字文本之表述異同、影視文本間的互證互發，以及史家終極關懷的冥合與回歸，透過相同主題不同手法與不同主題相似手法的文本，進行交相探究後，最後尋得歷史人物思想關懷中，足以跨越文本類型的微言與興寄，以及跨越時間維度的寄託與受託。　　藉影視史學的理論，探究影視文本與文字文本之表述異同，分析其中敘事手法、虛實刻劃與導演理念等，並與其相應的文字文本進行史實異同的對比分析。涉及明末亡國史和柳如是形象之作品雖不在少數，然直稱取自陳寅恪所撰之《柳如是別傳》者，誠為首例，該電影對於晚年陳寅恪與《柳如是別傳》研究的意義即顯露於此。故既是分析影視文本，更是對晚年陳寅恪篇幅最宏大的著述——《柳如是別傳》的梳理與再探。　　影視文本間的互證互發，即是對影視的敘事結構和人物角色進行深入分析，以明末諸人諸事為核心，尤取柳如是、錢謙益、陳子龍三人相關的情節，分析電影中人物與情節建構的虛實因果。此三人同為《柳如是別傳》所重，故其於文本中的再建構成果，便可進一步作為探尋晚年陳寅恪中心關懷的鎖鑰。本部分雖奠基於前章影視理論和對比分析，然卻不獨以宏觀的影視結構界定文本性質，又或是執明末亡國的結構性因素發論，而改以著重易代亡國之際，「人物」抉擇所致的因果關係，以微觀視人物情節的探究，既是拓展影視史學理論的應用，亦是著意於明末諸人與陳寅恪之間，達致「人物」間跨越時間維度的交互影響。　　史家終極關懷的冥合與回歸，第四章是本研究展開討論的最終依歸，亦是真正的關懷核心，藉前章探求影視文本、文字文本與其中人物後，最後回溯原作陳寅恪本身。既談鼎革，即是人物，更是不同生命在面對興亡之感和離合之情時的不約而同，立基於鼎革之際的思維，再釋陳寅恪眼中和筆下的亡國興替，包含明清之際、清民之交、國共易勢，陳寅恪撰《柳如是別傳》承載其晚年的今事與今情、流浪與悔恨，因此，掘發陳寅恪晚年透過《柳如是別傳》和晚明諸人所蘊藏的內在思想連結，便是本論文的核心。This study focuses on the film Thread of Time, Liu Ru Shi Bie Zhuan, and Chen Yinke's later years in life, exploring three main aspects: (1) the similarities and differences between cinematic and literary texts, (2) the mutual corroboration between different cinematic works, and (3) the historian's ultimate concerns, particularly Chen Yinke's reflections on historical events. 　　By applying Historiophoty, the research compares the narrative techniques, depictions of reality and fiction, and historical accuracy between Thread of Time and Liu Ru Shi Bie Zhuan. While many works depict the fall of the Ming dynasty and Liu Rushi, this film uniquely draws from Chen Yinke's Liu Ru Shi Bie Zhuan, making it a significant piece for understanding both the film and Chen's historical writing. 　　The study also analyzes the portrayal of key figures such as Liu Rushi, Qian Qianyi, and Chen Zilong, whose roles in Thread of Time offer insights into Chen Yinke's core concerns. Their reconstructed narratives in the cinematic text provide a key to understanding Chen's historiographical focus on personal choices during times of Dynastic Transition, analyzed through the Theoryon Fact or Fiction.　　Finally, the study returns to Chen Yinke himself, interpreting his reflections on the rise and fall of dynasties, exile, and regret in Liu Ru Shi Bie Zhuan. The thesis ultimately aims to uncoverthe connection between Chen Yinke's later years in life and the historical figures of the late Ming, revealing the deeper intellectual and emotional links embedded in his work.影視史學虛中實鼎革之際柳如是柳如是別傳晚年陳寅恪HistoriophotyTrue substance within the voidAt the crossroads of revolutionThread of TimeLiu Ru Shi Bie ZhuanChen Yinke's later years in life學術論文