黃均人安敬業Huang, Chun-ZenAn, Jing-Ye包佳玉Pao, Chia-Yu2023-12-082023-08-192023-12-082023https://etds.lib.ntnu.edu.tw/thesis/detail/f69deb42e7feab47569558113afdff48/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/121655本論文以中國山東最具有代表性的笙演奏家、笙教育家牟善平為研究對象，對其個人生平、創作思想、演奏技巧、作品風格等多個方面進行探討，就牟善平笙演奏藝術風格形成的脈絡並挖掘出其深層的藝術內涵，引導更多人理解和認識牟善平於笙演奏藝術在中國近現代笙藝術發展史中的地位與作用。其次，針對牟善平創作的代表性作品「微山湖船歌」、「掛紅燈」和「騎竹馬」，通過分析其作品的段落演奏詮釋和三首作品歷史背景、創作背景得出牟善平笙樂藝術的風格；最後，探索性地對牟善平的笙曲演奏特點進行了整理和總結。此外，本文在傳承和發揚中華傳統音樂和豐富笙藝術發展史方面也同樣具有積極意義，牟善平獨創的「舌顫」技巧和獨到的「三大氣」在笙曲的創作方面，有許多經典曲目為教學及笙演奏者提供了豐富的素材。This paper takes Mou Shanping, the most representative sheng performer and sheng educator in Shandong, China, as the research object, and discusses his personal life, creative thinking, performance skills, work style and other aspects. The formed context and excavated its deep artistic connotation, leading more people to understand and recognize the status and role of Mu Shanping's sheng performance art in the history of modern Chinese sheng art development. Secondly, aiming at Mou Shanping's representative works "Weishan Lake Boat Song", "Hanging the Red Lantern" and "Riding a Bamboo Horse", by analyzing the passages of his works, performance interpretation and the historical background and creative background of the three works, Mou Shanping can draw conclusions. Shanping's sheng music art style; finally, explore and summarize the characteristics of Mu Shanping's sheng music performance.In addition, this article is also of positive significance in inheriting and developing traditional Chinese music and enriching the history of Sheng art development. Mu Shanping's original "tongue trembling" technique and unique "Three Atmospheres" have many classic repertoires in the creation of Sheng music. It provides rich materials for teaching and sheng players, and has been widely circulated.笙微山湖船歌掛紅燈騎竹馬牟善平SHENGBOAT SONG ON WEISHANHU LAKEHANGING UP RED LANTERNSRIDING A BAMBOO POLEMOU SHANPINreport_art