莊連東Chong, Lain-Dung劉潔樺Liu, Jie-Hua2020-12-102020-02-212020-12-102020http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0005603131%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114441　　本研究以蕨類為創作主題，透過水墨的表現形式，藉由畫筆，進而對生態環境的重視。從十八、十九世紀的工業革命開始，現代化產生的便利對大自然的衝擊越來越明顯，馬克思和恩格斯指出了資本主義如何剝削大自然，為了滿足人的發展的需要，勞動作為人和自然間的物質交換，在資本主義想要得到的利潤及生產條件下，勞動破壞了自然條件。馬克思提出「自然人化」的理論，隨著人類社會的發展，人類活動改變了自然界，所形成的人化的自然界。他希望人真的可以以理性來控制自身的行為，並調整人與自然間的新陳代謝。 　　人類對自然生態的影響已愈來愈嚴重，環境問題已由區域性轉為全球性，資源過度利用的情況加速，全球各地面對環境退化、生態危機的問題，除了在各地召開環境會議、訂定議程，及許多有關環境的節日活動外，各地的藝術家也用作品來呼應，籍此希望人類重視地球環境。 　　本論文架構共分五章分別為：第一章緒論，內容包括研究動機與目的、研究內容與方法、研究範圍與限制、名詞釋義；第二章環境生態永續與藝術介入，以環境浩劫與環境保護、藝術介入社會反映、生態藝術進行探討；第三章「蕨處逢生」創作理念與實踐，進一步說明創作理念、創作方法、創作主題系譜；第四章創作作品解析，將《自生系列》、《營生系列》、《存生系列》、《生生系列》四個系列的作品進行說明；第五章結論。 　　這次「蕨處逢生」創作作品是利用差異性並置在同一畫面，再透過水墨等的技法，使二種不同質感、格格不入的物品融合，讓畫面呈現調和的美感，這是以比較含蓄的方式表現，未來可以嘗試結合不同的媒材，使用複和媒材，讓畫面的衝突美感更加強烈。在主題性上，此次創作是以生態環境議題為主，希望人們可以重視環境保護，未來可探討更多社會性的議題，如糧食、災害等，讓探討的議題更寬廣。　　This study takes ferns as the theme that discuss the eco-environment through the brushes of ink wash painting. Since the industrial revolution in the eighteenth and nineteenth centuries, the impact of gradual convenience on nature has become increasingly apparent. Karl Marx and Friedrich Engels pointed out how capitalism exploits nature. In order to achieve the needs of development in human society, labour becomes the material that exchanges between man and nature. Within the conditions of profit and production that capitalism wants, labour destroys the natural conditions. They proposed "natural humanization" theory, which through the development of human society, human activities have changed the natural world resulting in a humanized natural world. He hopes that people could really control their behaviours rationally and adjust the metabolism between man and nature. 　　The impact of human beings on natural ecology has become more and more serious that environmental problems have changed from regional to global, and the over-utilization of resources has accelerated. The world faces environmental degradation and ecological crises. Except holding environmental conferences, setting agendas and festivals or events related to the environment, artists from all over the world also use their works to respond, who is hoping human beings will value the global environment. 　　The structure of this thesis is divided into five chapters: Chapter I is the introduction, which includes research motivation and purpose, research content and method, research scope and limitation, and definition of nouns; Chapter II is about environmental ecology perseverance and artistic intervention, and environmental catastrophe and discussion on environmental protection, art intervention in social reflection, and ecological art; Chapter 3, "The Fern at the Fern" is the creative concept and practice, further explains the creative concept, creative method, and creative theme genealogy; ", with further explanation of the four series of works Self-growing Series, Livelihood Series, Cunsheng Series, Shengsheng Series; Chapter V is the conclusion. 　　This time, the Fern Blooms Between the Cracks created works by using the differences and juxtaposed on the same image, then using ink and other techniques to fuse two different textures and incompatible items to make the image present a harmonious beauty. This is a more implicit way. In the future, the writer could try to combine different media and use composite media to make the aesthetics of the image more intense. In terms of themes, this creation focuses on ecological and environmental issues. The writer hopes people could pay attention to environmental protection. In the future, more social issues, such as food and disasters, could be explored to make the topics discussed broader.蕨類絕處逢生水墨創作自生生生FernBlooms between cracksInk-washing painting creationSelf-growingShengsheng