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dc.contributor.authorKim-Su Rasmussenen_US
dc.date.accessioned2022-05-16T08:01:19Z
dc.date.available2022-05-16T08:01:19Z
dc.date.issued2019-03-??
dc.description.abstractThis paper analyzes the exchange between Ricoeur and Derrida concerningmetaphor. I argue that the exchange is not a “missed encounter,” as EftichisPirovolakis has suggested, but exemplifies a hermeneutic situation in whichtheoretical divergence is supplemented by a practical convergence. Rather thana mere exegesis of the exchange between Ricoeur and Derrida, I emphasize thepractical implications for the interpretation of poetic metaphors. To be morespecific, I emphasize the case of Paul Celan’s poem “Blume” and the semanticdensity of the central metaphor. Although Ricoeur and Derrida diverge in strictlytheoretical terms, their theoretical positions—when translated into practicalterms—establish different but convergent paradigms for the interpretation ofpoetic metaphorsen_US
dc.identifierC362450B-DF33-E44B-A463-8C207B944524
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116251
dc.language英文
dc.publisher英語學系zh_tw
dc.publisherDepartment of English, NTNUen_US
dc.relation45(1),17-41
dc.relation.ispartof同心圓:文學與文化研究zh_tw
dc.subject.otherPaul Ricoeuren_US
dc.subject.otherJacques Derridaen_US
dc.subject.otherPaul Celanen_US
dc.subject.othermetaphoren_US
dc.subject.otherhermeneuticsen_US
dc.subject.otherdeconstructionen_US
dc.title.alternativeDivergent Convergent:Ricoeur, Derrida, and Metaphorzh_tw

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