不同媒體場域的評審：以歌唱競賽節目為例
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Date
2010-06-01
Authors
黃靖惠
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Publisher
中華傳播學會
Abstract
本文以台灣近年最受歡迎的歌唱競賽節目為例，探討：(1)在網路空間批評節目評審的觀眾（而成為節目外「評審」）所具備的文化資訊程度；(2)節目單位的回應；(3)電視與網路場域的競爭互動。針對問題，本文對蒐錄之網路議論與節目單位的回應進行分析而發現：網路場域的「評審」擁有中量文化資本，除了嘗試提昇此資本也追求更多社會與象徵資本；電視場域主要以文化資本回應，而追求更多經濟與象徵資本。綜上，本文對Bourdieu的分析圖示提出部份修正。
This study analyzed the most popular singing-contest TV program in Taiwan. We explored (1) the cultural information of audiences criticizing the judges of the program, (2) the response of the program production unit; and (3) the competition and interaction between the "TV field" and "Internet field." The study found that the people in the "Internet field" possess moderate amounts of cultural capital and strive for more cultural, social, and symbolic capital. Those in the "TV field" strove for more economic and symbolic capital. This paper presents partial modifications to the illustration by Bourdieu.
This study analyzed the most popular singing-contest TV program in Taiwan. We explored (1) the cultural information of audiences criticizing the judges of the program, (2) the response of the program production unit; and (3) the competition and interaction between the "TV field" and "Internet field." The study found that the people in the "Internet field" possess moderate amounts of cultural capital and strive for more cultural, social, and symbolic capital. Those in the "TV field" strove for more economic and symbolic capital. This paper presents partial modifications to the illustration by Bourdieu.