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dc.contributor.author	Xiulu Wang	en_US
dc.date.accessioned	2022-05-16T08:01:23Z
dc.date.available	2022-05-16T08:01:23Z
dc.date.issued	2019-03-??
dc.description.abstract	Lu Xun’s 魯迅 Wild Grass (野草 Ye Cao, 1927) is the first important prosepoetry collection in modern Chinese literary history. While most scholarshipfocuses on its emotional atmosphere, complex images, and metaphors, thisarticle explores the issue of musicality as a fundamental poetic quality of WildGrass. Through a close reading of some of the poems from Wild Grass, thisarticle examines how Lu Xun employs the modern Chinese vernacular as a newliterary language, how various stylistic devices add levels of musicality, andhow the language of musicality, in turn, serves as a living, pulsating aestheticforce that enhances the poeticity and communicability of these texts.	en_US
dc.identifier	F4A3B892-0E4E-E0A6-882C-06E3E9959E2E
dc.identifier.uri	http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116264
dc.language	英文
dc.publisher	英語學系	zh_tw
dc.publisher	Department of English, NTNU	en_US
dc.relation	45(1)，125-146
dc.relation.ispartof	同心圓：文學與文化研究	zh_tw
dc.subject.other	Wild Grass	en_US
dc.subject.other	musicality	en_US
dc.subject.other	vernacular	en_US
dc.subject.other	repetition	en_US
dc.subject.other	polyphony	en_US
dc.title.alternative	The Language of Musicality in Lu Xun’s Prose PoetryCollection Wild Grass	zh_tw

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