悲傷母親、逼真女人
dc.contributor | 國立臺灣師範大學英語學系 | zh_tw |
dc.contributor.author | 李秀娟 | zh_tw |
dc.date.accessioned | 2015-01-29T09:15:29Z | |
dc.date.available | 2015-01-29T09:15:29Z | |
dc.date.issued | 2006-11-01 | zh_TW |
dc.identifier | ntnulib_tp_B0205_01_020 | zh_TW |
dc.identifier.issn | 0303-0849 | zh_TW |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/44193 | |
dc.language | zh_TW | zh_TW |
dc.publisher | 國立臺灣大學出版中心 | zh_tw |
dc.relation | 中外文學,35(6)=414,57-83。 | zh_tw |
dc.subject.other | 阿莫多瓦 | zh_tw |
dc.subject.other | 我的母親 | zh_tw |
dc.subject.other | 電影理論 | zh_tw |
dc.subject.other | 觀影快感 | zh_tw |
dc.subject.other | 動態顯影 | zh_tw |
dc.subject.other | 德勒茲 | zh_tw |
dc.subject.other | 悲傷母親 | zh_tw |
dc.subject.other | 逼真女人 | zh_tw |
dc.subject.other | Pedro Almod镽ar | en_US |
dc.subject.other | All about My Mother | en_US |
dc.subject.other | Film theory | en_US |
dc.subject.other | Visual pleasure | en_US |
dc.subject.other | Time-image | en_US |
dc.subject.other | Gilles Deleuze | en_US |
dc.subject.other | Mater dolorosa | en_US |
dc.subject.other | Becoming-real woman | en_US |
dc.title | 悲傷母親、逼真女人 | zh_tw |
dc.title | From Mater Dolorosa to Becoming-Real Woman | en_US |
dc.title.alternative | 阿莫多瓦《我的母親》的動態顯影 | zh_tw |
dc.title.alternative | The Time-Image in Pedro Almod镽ar's All about My Mother | en_US |