影像下的現代
| dc.contributor | 國立臺灣師範大學英語學系 | zh_tw |
| dc.contributor.author | Lee, Hsiu-chuan | en_US |
| dc.date.accessioned | 2015-01-29T09:15:32Z | |
| dc.date.available | 2015-01-29T09:15:32Z | |
| dc.date.issued | 2007-01-01 | zh_TW |
| dc.identifier | ntnulib_tp_B0205_03_002 | zh_TW |
| dc.identifier.isbn | 978-957-445-195-1 | zh_TW |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/44226 | |
| dc.language | en_US | zh_TW |
| dc.publisher | Taipei: Bookman | en_US |
| dc.relation | From Mater Dolorosa to Becoming-Real Woman: The Time-Image in Pedro Almodóvar’s All about My Mother(pp. 85-109). Taipei: Bookman. | en_US |
| dc.title | 影像下的現代 | zh_tw |
| dc.title | Visual Modern and Its Other� | en_US |
| dc.title.alternative | 電影與視覺文化 | zh_tw |