李天祿珍貴文物與影音資料數位典藏計畫 (II)
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Date
2010-07-31
Authors
王健華
周遵儒
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Abstract
李天祿先生與亦宛然布袋戲團，是國內重要的布袋戲指標，有學者譽稱「李天祿 的一生就是台灣布袋戲史最重要的一章」。不僅如此，李天祿帶著其學生遠赴海外演 出，在國際上亦有優越的表現，使得優秀的台灣文化走向國際。李天祿先生對民族技 藝的貢獻無庸置疑，但身後所遺留下來的豐富文化資產年代久遠，一般保存方法無法 避免斑駁、朽損，隨著時間而凋零。 本研究第一年即針對李天祿布袋戲文教基金會所保存之文物與影音資料數千筆 依數位典藏規範進行數位化，目標重在保存，然李先生一生橫跨數個世代交替，所遺 留之文物與影音資料極其豐富，數位化工作實非一年內可完成；再者，民俗內涵的傳 承，需要將典藏品重新付予生命，並與閱聽人的情境相連結，單一數位典藏的呈現實 無法一窺全貌，故本研究擬在下年度繼續進行，除繼續進行文物與影音資料之數位化 外，更規劃進行李大師歷史演出錄音的影音融合以及由李傳燦先生親自示範的偶頭戴 製作過程，將珍藏製作圖中所繪真實呈現，並以共享平台希望能喚回失聯的宛然家族。 因此本研究第二年規劃之目標重在傳承，期能利用數位優勢，達成將李天祿與亦宛然 的文化資產保存、近用、傳承與共享的總目標。
Master L Tien-lu and his I Wan Jan Puppet Theater has become one of the most important chapter in Taiwanese puppet show history. His legendary life has not only left profuse local cultural assets, but has gone across the cultural barriers. The first year of this project plans to digitally archive more than two thousands of Li’s historical items, including dramas, antique puppets, and audio-visual materials. The project is underway, and progress quite meets the schedule. However, the relics that Master Li left behind are so multifarious that the digital archiving process can not been done in one year. Moreover, such a precious cultural heritage needs to be passed down. Therefore, this project plans to go for the second year. The purposes are that to continue the digital archive process, on one hand, and to digitally record the life performance of a series of vanishing handcrafts productions, on the other hand. The overall goal is to accomplish the mission of preserving, accessing, passing down, and sharing the cultural assets that Master Li left behind
Master L Tien-lu and his I Wan Jan Puppet Theater has become one of the most important chapter in Taiwanese puppet show history. His legendary life has not only left profuse local cultural assets, but has gone across the cultural barriers. The first year of this project plans to digitally archive more than two thousands of Li’s historical items, including dramas, antique puppets, and audio-visual materials. The project is underway, and progress quite meets the schedule. However, the relics that Master Li left behind are so multifarious that the digital archiving process can not been done in one year. Moreover, such a precious cultural heritage needs to be passed down. Therefore, this project plans to go for the second year. The purposes are that to continue the digital archive process, on one hand, and to digitally record the life performance of a series of vanishing handcrafts productions, on the other hand. The overall goal is to accomplish the mission of preserving, accessing, passing down, and sharing the cultural assets that Master Li left behind