沉失/沉思:一個現象學流形的新媒體藝術創作研究 Sinking/Thinking: A Study of Phenomenological Manifold in New Media Art Creation

dc.contributor 林達隆 zh_TW
dc.contributor Lin, Ta-Long en_US
dc.contributor.author 朱善修 zh_TW
dc.contributor.author Chu, Shan-Shiu en_US
dc.date.accessioned 2022-06-07T09:25:18Z
dc.date.available 2021-02-18
dc.date.available 2022-06-07T09:25:18Z
dc.date.issued 2021
dc.description.abstract 對運動(motion)的不同觀念思維影響了新媒體藝術的創作與解讀。 本論文將 Sinking 視為空間維度之間的運動,從低維空間進入高維空間稱為嵌入(embedding),從高維空間穿越低維空間稱為浸入(immersion),「沉」、「失」兩個字代表著這兩種不同 Sinking 運動的現象。 Sinking/Thinking(沉失/沉思)是一個以現象學流形(Phenomenological Manifold)的觀點進行的創作研究,探討Sinking的運動(Motion)與非運動(Non-Motion)現象,最後完成Sinking系列新媒體藝術作品,表現跨越低維空間和高維空間的影像游牧。 作品《Sinking》不論是影像或是音樂,都希望以一種直觀的方式,將意象顯現出來,從眼睛、身體、爾後影響到心靈,最後產生新的意識和想法。若以身心變容的觀點來說明,其實就是從身到心到意識,一個階段性探討如「沉浸」的感受過程,並以「四角對當」的關係來思考「沉」、「浮」間的對應關係。因此,整個作品是以一個流形的概念來表現多重的可能性,也會和時間空間聯想在一起,這也就是為什麼將音樂和視覺藝術類比在一起的原因,因為,這一切都和時間空間有關係。 以量子敘述、創作或解讀數位藝術作品,其實不僅是一個敘述性的故事情節,也可能會有許多說法,這是與每個人的理解或知識背景習習相關的,所以也需要有相關的知識背景才能有相關的體驗感受。因此,希望透過這樣的創作與研究,和所有欣賞者一同分享這樣的一種思考邏輯和觀看體驗。 zh_TW
dc.description.abstract Different motion concepts can influence the creation and interpretation of New Media Art. In this paper, Sinking is regarded as the motion between spatial dimensions. It is also further described in two terms: Embedding and Immersion. The two Chinese characters: “沉、失”are interpreted as Sinking and Missing, which represent the two different sinking motion phenomena. Sinking/Thinking is a creative research based on the perspective of Phenomenological Manifold, from exploring Sinking's Motion and Non-Motion phenomena to completing the Sinking series of New Media Artworks; this research spans high and low dimensional space. Whether it is video or music, “Sinking” hopes to reveal the image in an intuitive way: start from what the eyes see, the body feels, to how one’s soul might react and finally generate new consciousness and ideas. To explain from the perspective of body’s and mind’s transformation, it is actually a staged discussion of the process of “Immersion” -- from body to mind to consciousness. In addition, the relationship between “Sinking” and “Floating” is discussed from the perspective of “Square of Opposition”. The whole work is based on a manifold concept to express multiple possibilities, and the work will also be associated with time and space. This is why music and visual art are usually being compared with each other, because they are related to time and space. Narrating, creating, or interpreting digital art works in quantum terms is not only a narrative storyline, but there may also be many different interpretations. This is related to everyone’s understanding and learning process, so relevant background is also required in order to be able to share similar experience. Therefore, I hope to share this kind of thinking logic and viewing experience with all audience through such creation and research. en_US
dc.description.sponsorship 美術學系 zh_TW
dc.identifier 80160016T-37881
dc.identifier.uri https://etds.lib.ntnu.edu.tw/thesis/detail/37568110fa4caf06aed80d0bc0879c06/
dc.identifier.uri http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116411
dc.language 中文
dc.subject 沉失/沉思 zh_TW
dc.subject 流形 zh_TW
dc.subject 跨維度 zh_TW
dc.subject 數位藝術 zh_TW
dc.subject 新媒體藝術 zh_TW
dc.subject Sinking/Thinking en_US
dc.subject Manifold en_US
dc.subject Transdimensional en_US
dc.subject Digital Art en_US
dc.subject New Media Art en_US
dc.title 沉失/沉思:一個現象學流形的新媒體藝術創作研究 zh_TW
dc.title Sinking/Thinking: A Study of Phenomenological Manifold in New Media Art Creation en_US
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