Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/77345300/6457
Title: 探訪傑出作曲家的樂曲創作歷程
Other Titles: So many cliches and so much repetition! Also this is far too long An Exploration of the Creative Process of Eminent Composers
Authors: 黃揚婷
蔡典謨
Yang-Ting Huang
Den-Mo Tsai
Issue Date: Mar-2011
Publisher: 國立臺灣師範大學特殊教育學系
National Taiwan Normal University Department of Special Education
Abstract: 為探究傑出作曲家在作曲領域的創作歷程,本研究乃邀請十位曾因作曲榮獲世界性或全國性獎項、創造具時代性與歷史地位的音樂風潮,或因音樂作品迅速傳播成名,獲得社會大眾高度肯定與讚賞之華人傑出作曲家為研究參與者,經由深度訪談傑出作曲家本人及二十三位重要他人,再輔以訪談日誌與非干擾性測量資料等方式進行多重個案研究,探索當代傑出作曲家之真實生活脈絡,旨在瞭解傑出作曲家於作曲領域的創作歷程。研究發現傑出作曲家的樂曲創作歷程是具循環性的,依序為"經驗~醞釀音源、原創性強"、"靈感~感性得來、理性整理"、"創作~組合素材、逐步構築"、"完成~自我突破、再創高峰"與"驗證~呈現樂曲、持續創作"等五個過程。每首新樂曲的誕生都是依恃傑出作曲家的創作意識與自我決定,於該些過程中完成,並具有以下幾項特點:1 有次序性的;2.有循環性的;3.沒有時間限制;4.沒有起點限制;5沒有終點限制。
Purpose: Musical composition is the presentation of a composer's inner creative conceptualizing. While abstract ideas regarding music are organized and concretized through rational, logical thinking, the personal sensibilities and inner thoughts of the composer are also embodied and conveyed; a composer's unique and original musical language is thereby created. This study explored the underlying context of the life of ten contemporary eminent composers, the aim being to understand the creative progress of musical composition. The discussion also covers how the composers continually make creative breakthroughs by challenging themselves, as well as the performers and listeners involved, through musical composition, while creating new musical trends. Methods: repetition. The research participants of this study are ten eminent Chinese composers; they have either been honored with international or national awards, created musical trends of great historical significance, or become renowned overnight for their compositions. In addition to in-depth interviews with these eminent composers and 23 other significant people in the field, the study was conducted through multiple case studies, and employed interview notes and data elicited from unobtrusive measures. More than 400 pieces of data, all using unobtrusive measures, were collected from biographies, documentaries, personal works, studies, dissertations and theses, and media reports related to the participants, and were coded, input, categorized, and analyzed to attempt to explicate the creative progress of musical composition. Results: The composers studied here defy regulation; for them, everything can become a source for the creation of new sound. Through diverse creative methods and composition techniques, they combine varied musical elements ments in creating a unique style. Such a hybridized synthesis is the very essence of musical composition. The research result shows that music composition is a continuous process
URI: http://rportal.lib.ntnu.edu.tw//handle/77345300/6457
Other Identifiers: 8CF09E38-B5DA-A3D4-D689-56B14A5EECF9
Appears in Collections:特殊教育研究學刊

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