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|Other Titles:||The Topics of Zhang Heng "Tong Sheng Ge" and the Analysis on Marriage-bed Culture|
Department of Chinese, NTNU
Zhang Heng (78-139 A.D.), started literary producing when he was young, and was good at literatures, especially poem and rhapsody. Nowadays, the number of his existing anthology of literature was quite small, and mostly fragments involving four-word, five-word, and seven-word poems. However, his work, "Tong Sheng Ge" (〈同聲歌〉and "Si Cho Shi" (〈四愁詩〉), had great impact on the development of five-word and seven-word poem, but the "Tong Sheng Ge" is less discussed. Moreover, most of the discussion on "Tong Sheng Ge" mainly focused on exploring its imagery. most of the scholars adopted Wu Jing (吳競) and Guo Maoqian (郭茂倩)'s says and agreed with the existence of imagery of "Tong Sheng Ge". Therefore, in this manuscript, by referring Zhang's life story and his anthology of literature, we aim at discovering the manners of imagery and the corresponding adoptions in "Tong Sheng Ge" to clear up whether "Tong Sheng Ge" was written based on those affaires. For the aspect of broadly talking about marriage-bed in "Tong Sheng Ge", it had broken the Confucian propriety imprisonment, and audaciously praised to the true humanity of the original demand for sex. Not only can it bring innovation in the subject of poetry subject but was the important literature for investigating the development of marriage-bed culture in Han. However, rare literatures have noted this part. For his, we focus on the context segment starting from “列圖陳枕張”to investigate the topics related to marriage-bed. We will also evaluate its position and judgment in the history of literature.
|Appears in Collections:||中國學術年刊|
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