Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/77345300/23387
Title: Malabou, Plasticity, and the Sculpturing of the Self
Authors: Hugh J. Silverman
Issue Date: Sep-2010
Publisher: 英語學系
Department of English, NTNU
Abstract: In What Shall We Do With Our Brain? (2004), French philosopher Catherine Malabou returns to the traditional philosophical mind-body problem (we do not experience our mind as a "brain") and introduces the concept of a difference or "split" between our brain as a hard material substance and our consciousness of the brain as a non-identity. Malabou speaks of the brain's plasticity, a term which stands between (as a kind of deconstructive "indecidable") flexibilityand rigidity, suppleness and solidity, fixedness and transformability, identity and modifiability, determination and freedom. This means seeing the brain no longer as the "center" and "sovereign power" of the body—as it has been seen for centuries, at least in the West—but as itself a locus and process of selfsculpting(self-forming) and transdifferentiation, as being very closely interconnected with the rest of the body. Malabou also speaks of our own potential to sculpt or "re-fashion" ourselves, and (by further extension) to reform our society through trans-differentiating into new and potentially freer, more open and more democratic socio-political forms. In this bold project Malabou still remains close to her Hegelian roots, and she is also influenced by Merleau-Ponty's notion of the body-subject and Nancy's alter-mondialisation (other-worlding) as an alternative to globalization.
URI: http://rportal.lib.ntnu.edu.tw//handle/77345300/23387
Other Identifiers: 5FFC29C9-D2A8-1FC5-568E-004DBB4A6B01
Appears in Collections:Concentric: Studies in English Literature and Linguistics

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