Please use this identifier to cite or link to this item:
Title: Farce, Pathos and Absurdity in Stephen Chow's Film Comedies
Authors: Eric K.W. Yu
Issue Date: Sep-2010
Publisher: 英語學系
Department of English, NTNU
Abstract: The hugely popular Hong Kong film comedian and director Stephen Chow Sing Chi enjoyed international box-office success as well as critical acclaim for his Kung Fu Hustle (2004). Despite its lukewarm reception in the West, his latest film CJ7 (2008) has been compared to Charlie Chaplin's classic The Kid (1921). This paper explores the seldom-discussed Chaplinesque aspect in Chow's oeuvre, arguing that how to evoke pathos while preserving the funniest ingredients of farce has in fact been an artistic obsession for Chow for years. Focusing on Chow's early work From Beijing with Love (1994), a daring blend of farce and pathos, and CJ7, his latest endeavor to "seek joy amidst sorrow," this paper examines Chow's major comic devices, including the significance of absurdity created by situational humor, and probes into the curious interaction between low comedy elements and narrative techniques which elicit emotional responses beyond belly laughs. How can pathos be created in a generally low comic climate without appearing to be playful insincerity? How can pathos so created be prevented from developing into sentimentality, an easy target for burlesque? Such are the questions in film aesthetics addressed by the present study. Attending to the dissimilar reception of CJ7 in Greater China and the West, this paper also seeks to explore how cultural differences might have complicated Chow's recent attempts to cater his works for a more global audience.
Other Identifiers: 0B73B9F2-8608-02C6-5FBD-7692CDCBA74E
Appears in Collections:Concentric: Studies in English Literature and Linguistics

Files in This Item:
File SizeFormat 
ntnulib_ja_B0205_3602_213.pdf905.11 kBAdobe PDFView/Open

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.