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Title: 現代詩「景」的符號
Other Titles: The Sign of Jing景 in Modern Chinese Poetry--Experience, Memory, Time and Space
Authors: 陳惠英
Wai-ying Chan
Issue Date: Oct-2002
Publisher: 國立臺灣師範大學研究發展處
Office of Research and Development
Abstract: 有關詩「景」,常與「境」相涉,且有「虛」和「實」的分別,又常與「境界」一同討論。論者以為詩「景」與詩「境」的「虛」與「實」,並非各不相干而是相互依存的。饒宗頤 (1916-) 、蕭遙天、葉嘉瑩 (1924-) 等人分別就相關問題,提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法,參以段義孚就「感知」的解釋,以「景」符號化的具體特性為貫串脈絡的討論,深入探討現代詩「景」及詩。
Jing 景 is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics, Despite or perhaps because of its “transcendental” implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界 of Jao Tsung-i饒宗頤 (1916- ), XiaoYao-tian 蕭遙天 and Ye Jia-ying 葉嘉瑩 (1924- ), with reference also to the ideas of Tuan Yi-fu段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.
Other Identifiers: 0566DA92-7716-DAE3-0AC9-020F37F2649B
Appears in Collections:師大學報

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