Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/77345300/14513
Title: 蒔花幽賞與生命觀照
Other Titles: Exploring the Plant World of Xian Qing Qu Ju
Authors: 黃培青
Issue Date: Dec-2010
Publisher: 國立台灣師範大學國文學系
Department of Chinese, NTNU
Abstract: 李漁的《閒情偶寄》是晚明閒賞美學的代表作品之一,是書分為詞曲、演習、聲容、居室、器玩、飲饌、種植、頤養等八部,內容豐富多元。該書內容反映明清文人休閒趣味的轉變,也勾勒出當時閒雅士人生活嶄新的歷史形貌。基於對現實世界的衷情熱愛,李漁消解了原本判然二分的雅、俗之別,以一種積極入世的態度,在俗世間創造、探索美的邊界。今人對於李漁美學的相關研究,已達一定質量,但究其內容,卻多聚焦於戲劇、園林、儀容等範疇,對於文人明覺感應的對象——客觀存在的草木世界,卻乏人探究。實則李漁在《閒情偶寄‧種植部》中,建構出一個幽賞自愜的美學世界,在栽植、賞玩的過程中,提出了一套蒔花幽賞的方法原則,更流觀玩賞間抽繹出對生命、道德的深刻體會。筆者以為李漁在追求感官娛目之好,尚且能兼及美、善的理想追求,係其草木世界觀的重要特色。而這也是晚明士人跨向俚俗之美後向傳統道德價值的回歸,也是李漁身為士人的永恆印記。所以,游離於收放之間、拓逸與收束的二維擺盪,從李漁《閒情偶寄》的草木觀將可照映出明清文人思想世界中的變與不變。
"Xian Qing Qu Ju" of Li Yu is one of the most important aesthetic works in the late Ming Dynasty. It reflects the transformation of leisure among scholars in the Ming and Ching Dynasty. Vast previous research explored the aesthetic meaning of Li Yu; however, little research investigated the plant world. Actually, the section of plant of "Xian Qing Qu Ju" forms an aesthetic world and proposes some plant evaluation methods and approaches, and further represents the deep consideration of life and ethics. The author believes that Li Yu pursued not only the aesthetic sense but also an ideal of good to feature the plant perspective. Therefore, the plant perspective reflects value of the understandable aesthetic and traditional ethics.
URI: http://rportal.lib.ntnu.edu.tw//handle/77345300/14513
Other Identifiers: 28489515-9EE0-16E1-9F38-1AD45ED82A40
Appears in Collections:國文學報

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