Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/84204
Title: Sexual/Textual Tendencies in Shyam Selvadurai’s Funny Boy
Authors: Louis Lo
Issue Date: Sep-2018
Publisher: 英語學系
Department of English, NTNU
Abstract: The word “funny” is examined as it is used throughout Selvadurai’s Funny Boy (1994) from the early chapters describing the family’s domestic life, to the ways in which Through an examination of the multivalent meanings of the words “funny” and language dominating public and textual discourses is rendered funny. Through an examination of the multivalent meanings of the words “funny” and “tendencies” in the novel, its intertextual references, and allusions to British canonical literature, this paper explores how the novel’s “critical funniness” negotiates such forces as imperialism and nationalism, seemingly stabilizing, but also violent and castrating. Critical funniness poses challenges to the history of British colonialism that frames modern Sri Lanka. This paper shows how the text of Selvadurai’s novel resists the essentializing discourses implied in the country’s national and sexual ideologies.
URI: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/84204
Other Identifiers: 5B1A36A0-9CD0-A288-98CA-92B016FF3523
Appears in Collections:Concentric: Studies in English Literature and Linguistics

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