Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115373
Title: 國立臺灣師範大學藝術學院與非藝術學院研究所學生審美判斷之異同探究—以「業—當代繪畫的輪迴」展覽為例
A Study on the Differences of Aesthetic Judgment between Graduate Students in the College of Fine Arts and Non-Fine Arts in National Taiwan Normal University ─“ Karma:The Samsara Of Contemporary Painting” as an Example
Authors: 林仁傑
Lin Jen Chieh
徐偉珍
Hsu Wei Chen
Keywords: 業-當代繪畫的輪迴
審美判斷
Karma: The Samsara Of Contemporary Painting
Aesthetic Judgment
Issue Date: 2010
Abstract: 隨著都市化的發展,人們生活的腳步匆忙,這時如何調劑身心就變得非常重要了。展覽成為人們紓壓的重要管道之ㄧ,其中最重要的元素包含展覽品與觀眾,展覽品必須要先被觀眾所接受,展覽才能吸引觀眾、展出才會成功。 本研究以國立台灣師範大學西畫組展覽「業-當代繪畫的輪迴」為主軸,以本校「藝術學院與非藝術學院研究所學生審美判斷」作分析,藝術學院與非藝術學院研究所學生對於審美判斷有何異同之趨向,亦可提供本展覽的展出者在創作時考量的依據。 本研究的研究工具有二:一為評估美術專業與非美術專業對同一展覽審美判斷的「『業—當代繪畫的輪迴』展覽意見問卷」;二為在師大藝廊展出的「業—當代繪畫的輪迴」13位展出者共計36件作品。資料兼採量的統計和質的分析兩種方式,在「國立台灣師範大學藝術學院與非藝術學院研究所學生審美判斷研究」方面,以「SD」法分析,使用散佈圖、折線圖等,比較其對「業—當代繪畫的輪迴」展覽作品的差異性,透過分析與整理歸納出以下結果: 一、 本校藝術學院研究所的受訪者與非藝術學院研究所的受訪者對「業-當代繪畫的輪迴」展覽作品審美判斷有其相異性。 二、 本校藝術學院研究所的受訪者與非藝術學院研究所的受訪者對「業-當代繪畫的輪迴」展覽作品審美判斷的有其相關性。 三、 本校藝術學院研究所的受訪者與非藝術學院研究所的受訪者對「業-當代繪畫的輪迴」展覽作品中最受歡迎的作品有其影響因素。 四、 本校藝術學院研究所的受訪者與非藝術學院研究所的受訪者對「業-當代繪畫的輪迴」展覽作品中最不能被認同的作品有其影響因素。 五、 本校藝術學院研究所的受訪者與非藝術學院研究所的受訪者對這些作品及展覽有其審美期待。 最後依據研究結果,分別對展出者、展場、及研究方式提出建議。
Along with urbanization development, modern life is now busier. How to relax our body and mind become crucial. One of the ways people ease themselves is to visit an exhibition. On the other hand,“exhibition”includes two main factors– items on display and the audience. The items on display must be accepted by the audience first, and then the exhibition attracts the audience and is successful. This study is based on the exhibition“ Karma:The Samsara Of Contemporary Painting”in National Taiwan Normal University. According to the analysis of graduate students in “College of Fine Arts“and“College of Non- Fine Arts”, to determine the similarities and dissimilarities of their aesthetic judgments, and also to provide the painters of the exhibition advices refer to their creation. Two instruments for this study: one is the comment questionnaires to estimate the aesthetic judgments of graduate students in “College of Fine Arts“and“College of Non- Fine Arts”among same exhibition;another is the exhibition of“ Karma: The Samsara Of Contemporary Painting”, in which thirty-six works in total created by thirteen painters exhibit in the gallery of National Taiwan Normal University. The data includes“Quantization”and parts of qualitative research. Using“Semantic Differential Method”analyze the data and employing Scatter gram and Folds the graph and to compare the differences between graduate students in “College of Fine Arts“and“College of Non- Fine Arts”. In the end, based on the result of our survey, we will give proper feedback about the artists, arrangement, and the approach to the research in this exhibition. 1. The aesthetic judgement of both Fine Arts and Non- Fine Arts with its diverse in “Karma: The Samsara Of Contemporary Painting”. 2. The aesthetic judgement of both Fine Arts and Non- Fine Arts with its relevance in “Karma: The Samsara Of Contemporary Painting” . 3. The feedback of both Fine Arts and Non- Fine Arts respondents affect the most popular art work in a certain level. 4. The feedback of both Fine Arts and Non- Fine Arts respondents affect those unpopular art work in a certain level.
URI: http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0696600028%22.&
http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115373
Other Identifiers: GN0696600028
Appears in Collections:學位論文

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