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Creation of Abstract Images from Natural Appearance－An Exploration of Hsieh Ming-mey’s Ink Paintings of Coastal Scenes in Northeastern Taiwan
Born and growing up in this island, I have a very deep affection toward the scenery with mountains and sea around me. This research topic is, therefore, “A Dialogue between material appearance and abstract appearance -- Self explanation for my Chinese paintings of the natural scenery of northeast coast area of Taiwan The most important limits of this research are based on observation on the spot，.sketch from nature around Nan-Yea and Long-Tong area." These paintings were created through objective rocks, sea waves to subjective sense creation；from physical presentation to abstract representation, even up to a creative presentation of mind. Through natural and human approaches，these works display the spiritual scenery of Taiwan in a specifically artistic style and features。 Chapter 1 Introduction: exhibit the motive, purpose, content, method, scope and its limits.。 Chapter 2: Illustrate Chinese ink painting by demonstrating the relationship between the material appearance and abstract appearance, Based on ink-painting from nature to Explain the difference between material appearance and abstract appearance ,and to analyze master pieces of some famous sea scenery artists。 Chapter 3: Discuss the mutual relationships of the landscape, humanitarian concern and inspiration，and the beauty transferring of beauty。 Chapter 4: Display the ideal of creation in these paintings and its realization：Different stages, such as sketch and structure arrangement, sketch management and creation realization are displayed。 Chapter 5: Works analyzing whole works overview, works analyze and explaining。 Chapter 6: Conclusion; Creative reflection and future prospect 。 The characteristic quality and contribution of this creative research are based on all I have learned for years。to observe nature and be inspired by nature. Nature observation is based on style, structure, color display and special insight. These paintings are records of explorations. They mix with journey of consciousness, affection, and presentation of mind by hand. They display a fluent rhythm, the opening and closing of formation and momentum. Through interactive dialogue between material appearance and abstract appearance these paintings reveal a brand new appearance, which mimics the nature from outside and obtains a central idea from inside. Through this creative adventure and aesthetic thinking both technical and aesthetic bases for further creation are solid。
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