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Spiritual Journey of Time and Space: A Study of Siopang Hong’s VR Ink Art
The author attempts to integrate landscape painting and computer technology to create new media artwork. The first half is based on theory, which consists of the first and second chapter. The first chapter proposes the author's analysis of the situation of ink and wash creation in contemporary cross-disciplinary trends. The author's research motivation is based on the current status quo, and then there are significant differences between this study across landscape and art and science and technology. The field, analysis and description of its scope of research in this thesis and creation, the reason for its definition is based on how the research restrictions, as well as the main terms of interpretation. The idea of creation reveals the author's love for line drawings and even the space composition of landscape painting, and then proposes several special features of computer technology combined with landscapes to clarify the significance of this series of works regarding the contemporary time, ink painting, and science and technology arts. The second chapter explains the theoretical basis of this series of works, from the visionary journey, landscape tours, and the virtual reality of science and technology art, combing their respective cultural contexts and exploring the consensus of the three: In order to systematically sort out the artistic and contemporary issues that arise when gardens are blended with the rest of the two, it is still possible to present the aesthetic experience of lying. The latter half delves into the creation, exhibition and discussion as well as the analysis of the results. The third chapter explains the method of creation. The fourth and fifth chapters emphasize on the analysis of the work, introducing the author's writing methods and specifically analyzing the works based on content and unique technology.
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