請用此 Handle URI 來引用此文件: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/102903
標題: 岩畫線條應用於插畫創作研究
The Study of Cave Art Line Applied in Illustration Creations
作者: 林俊良
張靜玫
Chang, Ching-Mei
關鍵字: 岩畫
岩畫線條
線條
插畫
生態保育動物插畫
Cave art
Cave art line
Line
Illustration
Ecological conservation animal illustration
公開日期: 2018
摘要: 創意與溝通是圖像傳達的基本元素,溯源於人類祖先繪製岩畫的思考模式來啟發創意並開啟研究動機。研究岩畫繪製內容與人類文化的基本信息溝通,目的為了探索人類想像與靈感,分析岩畫線條的唯美思維與岩畫脈絡,彙整岩畫繪製內容的共同特性與相似圖案進而應用在動物生態插畫創作。 本研究以文獻研究和案例分析為主,將範圍界定於史前舊石器時代,繪製方式以岩繪為主的歐洲區域,歸納出歐洲岩畫表現分析可分為:一、點的表現方式:(一) 點形(紅或黑)、(二) 散點、(三) 多點成形。二、線條的表現方式:(一) 直線、(二) 連續線、(三) 霧狀線、(四) 噴製線、(五) 交疊線。三、線條加上刻的表現方式:(一) 實線加刻、(二) 細碎線加刻。四、岩畫面形:(一) 手印、(二) 單色面、(三) 雙色面、(四) 漸層面、(五) 多色交疊面。 本研究成果將岩畫線條應用於插畫創作,將現代插畫以線條、造形、插畫情境風格表現方式來進行分析,歸納出現代插畫表現多元豐富,但對應岩畫較少噴製線表現。作品取材岩畫表現萃取出來的繪製元素與線條元素應用於生態保育動物插畫主題,內容以生態保育動物議題來表現被獵殺動物處於惡劣的生存環境,進行十一件動物生態插畫創作,想法來自人類殘殺動物如同以相同方式破壞人類生存環境,由創作圖像傳達動物哀傷並喚起人類正面保護力量。
Creativity and communication are the basic elements of image transmission; the motivation and creativity of this research is inspired by the mode of thinking of our ancestors while they drew cave art. This study will explore the content of cave art and the basic communication of human beings, with the purpose of exploring human imagination and inspiration, analysing aesthetics of cave art as well as their outlines, summarising the common characteristics and similar patterns of all art contents and, further, applying them to the creation of animal ecological illustration. Based on literature study and case analysis, this study limits its research range within the Prehistoric Palaeolithic Age and chooses cave painting—the mode mainly applied in Europe—as the research object. The analysis of European cave art, thus, can be divided according the following aspects: 1. Points as mode of expression: (1) Points (red or black), (2) Scattering, (3) Multi-point forming. 2. Lines as mode of expression: (1) Straight lines, (2) Continuous line, (3) Mist Line, (4) Spray particles lines, (5) Overlapping lines. 3. Engraved lines as mode of expression: (1) Solid line engraving, (2) Dotted line engraving. 4. Colouring of cave art: (1) Handprint, (2) Monochrome surface, (3) Double colour surface, (4) Gradient surface, (5) Multicolour overlapping surface. The results of this research will be applied to the creation of illustrations, and modern illustrations will be analysed through the mode of expression of its lines, shape and situational style. It is concluded that modern illustrations are rich in diversity, while on the contrary, few spray particles lines appear. The work drew its material from painting elements and line elements extracted from cave art to be applied to the illustration themes of ecological animal conservation. Animal protection was selected as the issue under discussion to express the hostile living environment of animals that are being hunted. Eleven animal ecology illustrations, whose inspiration originated from the fact that human beings massacre animals in the same way as they destroy their living environment, were created. It is hoped that the created illustrations would convey the grief of animals and advocate positive protection forces of human beings.
URI: http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=%22http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0004682114%22.&%22.id.&
http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/102903
其他識別: G0004682114
顯示於類別:學位論文

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