文學院
Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2
院成立於民國44年，歷經50餘年的銳意發展，目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所，以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班，其餘6個系所均設有碩、博士班；目前專兼任教師近250人，學生約2500餘人。
本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的，臺灣中學語文和史地教育的實踐與成功，本院提供不可磨滅的貢獻。近年來，本院隨師範體系轉型而調整發展方向，除維持中學師資培育的優勢外，也積極朝理論研究和實務操作等面向前進。目前，本院各系所師培生的教師檢定通過率平均在95%以上；非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展，也已卓然有成。
本院各系所教師的研究能量極為豐富，參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比，本院居人文領域全國第2名。各系所之間，無論是教師的教學與研究，或學生的生活與學習，都能相輔相成、榮辱與共，彼此渾然一體，足堪「為師、為範」而無愧。
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Item Trying to Grow Out of Stereotypes: The Representation of Disability, Sexuality and the “Modern” Disability Subjectivity in Firdaus Kanga’s Novel(英語學系, 2018-03-??) Rimjhim BhattacherjeeFirdaus Kanga’s novel, Trying to Grow, tells the story of Brit Kotwal, a young Parsi boy with osteogenesis imperfecta, negotiating his life in the Bombay of the 1970s. From the beginning, this semi-autobiographical work draws our attention to the common religious and medical perceptions of disability in Indian society. This paper proposes to study how the novel focuses on several aspects of the lived reality of a person with “brittle bones” who does not grow more than four feet tall. The paper also explores how the novel focuses on and confounds the commonly perceived notion of the asexuality of disabled individuals. Brit’s voice is extremely aware and articulates positions of difference within disability and sexuality discourses. He is able to occupy what can be called a truly modern disability subjectivity. But, this paper shall show that Brit presents the reader with this modern, emancipatory rhetoric of disability because of the privileges of his gender and class status in the Indian context. Within the same text, Brit’s disabled female cousin is literally andfiguratively mute and meets with a very different fate. The paper shall thus investigate and try to complicate the representation of disability, sexuality and the “modern” disability subjectivity in Kanga’s novel.Item 王爾德與比亞茲來的莎樂美 與「致命女性形象」(2007) 林峰聖; Lin, Feng-Sheng本論文旨在探討王爾德劇作《莎樂美》與比亞茲萊為其所繪插圖之中的性／別元素，特別是二人所創造出的莎樂美一角與「致命女性」形象之關係。王爾德與比亞茲來二人作品中皆呈現了具驚駭效果之性／別元素，在當時亦皆引起相當批判；而其中引起爭議的部分皆與二人呈現「變態」（perversity）與「色情」（pornography）元素相關。此外，許多評論者亦特別指出比亞茲來作品與王爾德原著之不同；事實上，比亞茲來為王爾德此劇所繪插圖中最具爭議性的部分可能就是其「時代錯置」（anachronism）之設計；此類設計很可能創造出了更具顛覆性之效果。 本論文分為三章。第一章探討「致命女性」形象之重要特色以及這些特色在文學藝術作品中之呈現。本章觀察了一些十九世紀具代表性的「致命女性」作品，並將焦點特別放在濟慈的詩《無情美人》及數幅前拉斐爾派畫作，包括了羅賽蒂的《李莉斯貴婦人》與瓦特豪斯的《無情美人》。第二章討論王爾德劇作《莎樂美》，特別是其中呈現之「變態」、以及其莎樂美與先前「致命女性」之關聯。此章研究以十九世紀末焦慮為背景之「變態」，探究王爾德之莎樂美為「變態女性」的身份，並進一步將之與先前十九世紀英國「致命女性」作比較。第三章探討比亞茲來的莎樂美插圖，聚焦於這套作品中性／別元素與「色情」之聯結、以及為何比亞茲來的莎樂美被視為「致命女性」。此章並比較王爾德與比亞茲來在其莎樂美創作中運用性／別元素之方式。Item Trying to Grow Out of Stereotypes: The Representation of Disability, Sexuality and the “Modern” Disability Subjectivity in Firdaus Kanga’s Novel(英語學系, 2018-03-??) Rimjhim BhattacherjeeFirdaus Kanga’s novel, Trying to Grow, tells the story of Brit Kotwal, a young Parsi boy with osteogenesis imperfecta, negotiating his life in the Bombay of the 1970s. From the beginning, this semi-autobiographical work draws our attention to the common religious and medical perceptions of disability in Indian society. This paper proposes to study how the novel focuses on several aspects of the lived reality of a person with “brittle bones” who does not grow more than four feet tall. The paper also explores how the novel focuses on and confounds the commonly perceived notion of the asexuality of disabled individuals. Brit’s voice is extremely aware and articulates positions of difference within disability and sexuality discourses. He is able to occupy what can be called a truly modern disability subjectivity. But, this paper shall show that Brit presents the reader with this modern, emancipatory rhetoric of disability because of the privileges of his gender and class status in the Indian context. Within the same text, Brit’s disabled female cousin is literally andfiguratively mute and meets with a very different fate. The paper shall thus investigate and try to complicate the representation of disability, sexuality and the “modern” disability subjectivity in Kanga’s novel.