文學院

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院成立於民國44年，歷經50餘年的銳意發展，目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所，以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班，其餘6個系所均設有碩、博士班；目前專兼任教師近250人，學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的，臺灣中學語文和史地教育的實踐與成功，本院提供不可磨滅的貢獻。近年來，本院隨師範體系轉型而調整發展方向，除維持中學師資培育的優勢外，也積極朝理論研究和實務操作等面向前進。目前，本院各系所師培生的教師檢定通過率平均在95%以上；非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展，也已卓然有成。

本院各系所教師的研究能量極為豐富，參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比，本院居人文領域全國第2名。各系所之間，無論是教師的教學與研究，或學生的生活與學習，都能相輔相成、榮辱與共，彼此渾然一體，足堪「為師、為範」而無愧。

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Author: search.filters.author.Jung Su

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Now showing 1 - 4 of 4
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    Concentric
    (英語學系, 2009-03-??) Jung Su
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    Inscribing the Palimpsest
    (英語學系, 2003-01-??) Jung Su
    The employment of the politics of hybridity in The Moor's Last Sigh envisions Salman Rushdie's enthusiastic anticipation of cultural eclecticism. Using palimpsest as a metaphor, Rushdie inscribes intersecting trajectories of variegated cultural legacies and their imbrications in the course of cultural formation and historical mutation. This politics of hybridity is manifested in three dimensions: (1)The metaphor of the palimpsest visualizes the nature of hybridity and dominates the book's cultural vision, featuring the germ of the novel; (2) Hybrid characters in the novel interrogate and destabilize the fixity of “the Other” and decouple the homogeneous definition of “the Other” in the logic of Manichean division of “Self and Other”; (3) Cultural legacies left by the British Empire are inevitably intertwined with local cultures, which illustrate that cultural hybridity is the predictable product of cultural formation. Aurora's death in the very end alludes to the dim prospect of cultural eclecticism. The closing lament for a commodified Alhambra, likewise, implies a false multiculturalism. In parodying Martin Luther's persistence in his religious ideal in exile, Rushdie indicates that exile can never shatter a writer's literary conviction, which rescues the novel from turning into a melodrama, thereby allowing it to emit the positive glow of exile.
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    Thinking Otherwise
    (英語學系, 2008-09-??) Jung Su
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    Reconfiguring the Past
    (英語學系, 2010-09-??) Jung Su
    This paper aims at exploring the representation of post-imperial London in Salman Rushdie's The Satanic Verses and Hanif Kureishi's The Buddha of Suburbia with a view to highlighting how the post-colonial history of Britain is re-written by the above two writers through the alternative cityscapes they depict in their works. I argue that the protagonists of the novels, Saladin and Karim, reflect on their attitudes toward the past via the act of flânerie. The act of strolling will be treated as a spatial politics that helps relativize these two immigrant protagonists' positions in the city of London. The routes of their journeys not only limn the alternative cityscape of the transforming empire but also disclose the socially and politically marginalized immigrant communities which are either demonized or stereotyped in the racialization of space. The reconfiguration of the past in the two novels, looked at in this way, is not just a remapping of the city; rather, it reveals the need to re-examine how Asian British writers deal with the past, on the one hand, and aspire to carve out a niche for themselves in the contemporary British society, on the other.