文學院

Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2

院成立於民國44年,歷經50餘年的銳意發展,目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所,以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班,其餘6個系所均設有碩、博士班;目前專兼任教師近250人,學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的,臺灣中學語文和史地教育的實踐與成功,本院提供不可磨滅的貢獻。近年來,本院隨師範體系轉型而調整發展方向,除維持中學師資培育的優勢外,也積極朝理論研究和實務操作等面向前進。目前,本院各系所師培生的教師檢定通過率平均在95%以上;非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展,也已卓然有成。

本院各系所教師的研究能量極為豐富,參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比,本院居人文領域全國第2名。各系所之間,無論是教師的教學與研究,或學生的生活與學習,都能相輔相成、榮辱與共,彼此渾然一體,足堪「為師、為範」而無愧。

Browse

Search Results

Now showing 1 - 1 of 1
  • Item
    Korean Shamanic Experience in the Age of Digital Intermediality: Park Chan-kyong's Manshin
    (英語學系, 2017-09-??) Jecheol Park
    Despite the recent increased interest in Korean shamanism in Korean film studies, most relevant publications have tended to confine their discussions only to the question of the legitimacy of Korean films' representations of Korean shamanism. In doing so, existing Korean film scholarship has not yet substantially explored equally important questions such as: What different aesthetic techniques have the Korean films about shamanism employed to represent and/or express the subjective and objective experiences of Korean shamanic rituals? What are the socio-cultural and political implications of these cinematic engagements with Korean shamanism? The need for a closer look at these issues has become more obvious as new, more experimental Korean films and other forms of media dealing with shamanism have appeared during the past decade. Park Chan-kyong's experimental documentary Manshin: Ten Thousand Spirits (2013) is especially notable in this regard since it employs digitally-enabled intermedial techniques. This paper explores the ways in which Manshin’s use of these techniques is able to express the cultural otherness of Korean shamanism. I will argue that this film’s hypermediated use of several intermedial techniques enables it to express the fantastic quality of trance-like shamanic experiences, rewrite the biography of shaman Kim Keum-hwa and the history of Korean shamanism in the form of materialist historiography, and profane shamanic practices against the recent tendency to spectacularize them. In this regard, Manshin can be seen to significantly contribute to a reimagining of the postcolonial nation of Korea as one that is irreducibly heterogeneous and open to new socio-cultural possibilities.