文學院

Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2

院成立於民國44年,歷經50餘年的銳意發展,目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所,以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班,其餘6個系所均設有碩、博士班;目前專兼任教師近250人,學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的,臺灣中學語文和史地教育的實踐與成功,本院提供不可磨滅的貢獻。近年來,本院隨師範體系轉型而調整發展方向,除維持中學師資培育的優勢外,也積極朝理論研究和實務操作等面向前進。目前,本院各系所師培生的教師檢定通過率平均在95%以上;非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展,也已卓然有成。

本院各系所教師的研究能量極為豐富,參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比,本院居人文領域全國第2名。各系所之間,無論是教師的教學與研究,或學生的生活與學習,都能相輔相成、榮辱與共,彼此渾然一體,足堪「為師、為範」而無愧。

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    (英語學系, 2017-03-??) Henk Vynckier
    Picture galleries with painted portraits of family members, once an essential fixture in the halls and manors of Europe’s nobility, declined in prestige and cultural relevance following the end of the ancien régime and the widespread adoption of photography and other new visual media in the nineteenth century. Around the same time, however, the portrait gallery emerged as a significant literary motif and began to proliferate in Gothic fiction, satirical tales, fin de siècle novels, and other fiction. This migration of the gallery into the realm of literature represents an important revaluation of the cultural capital associated with this art form and calls attention to the troubled cultural protocols and visualities of an age which saw the rise of a rival institution, viz., the public museum. The purpose of this article is to trace the history of the motif of the portrait gallery from its beginnings in Horace Walpole, Walter Scott, and other Gothic authors over the fin de siècle generation of J.-K. Huysmans, Oscar Wilde, Marcel Schwob, and R. M. Rilke to modern adaptations by James Joyce, Hermann Hesse, Salman Rushdie, Giovanni de Lampedusa, and others. As such, it offers a genealogy of literary portrait galleries and contributes to an emerging field, viz., the literary history of material culture.