文學院

Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2

院成立於民國44年,歷經50餘年的銳意發展,目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所,以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班,其餘6個系所均設有碩、博士班;目前專兼任教師近250人,學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的,臺灣中學語文和史地教育的實踐與成功,本院提供不可磨滅的貢獻。近年來,本院隨師範體系轉型而調整發展方向,除維持中學師資培育的優勢外,也積極朝理論研究和實務操作等面向前進。目前,本院各系所師培生的教師檢定通過率平均在95%以上;非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展,也已卓然有成。

本院各系所教師的研究能量極為豐富,參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比,本院居人文領域全國第2名。各系所之間,無論是教師的教學與研究,或學生的生活與學習,都能相輔相成、榮辱與共,彼此渾然一體,足堪「為師、為範」而無愧。

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    A Tale of Two Diaries: Robert Hart’s Encounter with “Mont Blanc Albert” in Canton, Sept. 1858
    (英語學系, 2015-03-??) Henk Vynckier
    When still a junior official in the British Consular Service in Canton, Robert Hart (1835-1911), who would later achieve fame as the Inspector General of the Chinese Maritime Customs Service, met Albert Richard Smith (1816-60), the mid-Victorian comic writer and diorama presenter, who was traveling in China to collect material for a stage show. Though both reported on Smith’s visit to Canton in their respective diaries, Hart’s brief interlude with Smith has never been discussed and the relevant passages in their diaries have not been cross-examined. Yet, close reading the respective diary entries next to one another for the first time some one hundred and fifty years after they were composed can achieve several objectives. First, the diaries provide some raw material for the biographical understanding of the young Robert Hart, which is important considering that more than a hundred years following his death there is as of yet no complete biography of “the most powerful Westerner in China” (Jonathan Spence). Second, they illustrate the generic and stylistic differences between a diary which is meant to be published and one which is conceived as a purely private “closed book” diary. Third, they shed light on two different modes of seeing/narrating China—the sightseeing tourist Smith and the long-term expatriate resident Hart—and, thus, contribute to our understanding of the British imaginary of China during the heyday of empire.